He trained as a cabinet-maker for five years in France, in order to acquire an understanding of the complexity of woodworking.

Tanguy travelled to the UK to study classical guitar-making in the "Newark and Sherwood College", graduating in 2001 with a distinction.

During these two years, he also followed evening classes in violin-making, to complete his knowledge of the acoustics of stringed instruments and to learn wood carving techniques.

Fascinated by the history and complex achievement of the violin family, he decided to follow a further three-year course at the violin school.

His learning experience was enriched by the diverse teaching approaches used.

During his studies, Tanguy greatly appreciated the opportunity to broaden his knowledge by working under leading figures of modern violin-making such as Patrick Robin and Andrea Frandsen, together with Frédéric Chaudière.

Tanguy completed the course with merit in June 2004, moving to Stefan Krattenmacher’s workshop in Berlin where he worked for two years on major restorations of 17th and 18th century masters’ instruments.

Passionate and enthusiastic about creative expression, Tanguy’s next step was to move to Thomas Meuwissen’s workshop in Brussels, where he further refined the art of making new instruments.

Tanguy has been working independently since early 2008. Each violin, viola and cello is separately hand made, allowing him to control and perfect every part used in his work.

Tanguy Fraval is keen to keep up with developments in contemporary lutherie. He is in constant touch with his fellow-makers through conferences and shared workshops, and attends courses given by prominent international specialists.

Dialogue with musicians is also a source of inspiration, helping him to respond to their expectations.